The Wondrous Circle of Life – part 3

Roj Dae-pa-Din Mah Meher, 1380 Yz.

After the Padruz Uthamna gets over the priests take a break, waiting for the exact time when the Zoroastrian day changes, 36 minutes before sunrise. As soon as this time is reached, the priests perform a fresh Kusti, recite the Sarosh Baj and Havan Gah and then begin the very important ceremony, generally called the Daham Yazad Jashan or Afringan. Not many Parsis are aware of this very essential Zoroastrian Divinity called Daham Yazad, since his name is not part of the 30 days calendar. However, priests are on familiar terms with Daham Yazad, since every Afringan ceremony performed must contain one Karta (chapter) dedicated to him. Who is Daham Yazad and why is he so important?

To understand the role and importance of Daham Yazad it is necessary to understand the composition of the human body and its ultimate destiny. Just as the physical body is composed of many billions of atoms and molecules, all manifesting themselves in various permutations and combinations, so also the basic building block of the physical atoms owes its origins to what is called as ‘Anasers’. Anasers can be called the spiritual DNA, which are unseen. The Anasers are derived from even more ethereal components which are manufactured in certain spiritual factories in a distinct part of the Cosmos. These ethereal components are transported down to the earth in a particular manner by various divine entities. As they descend on earth they become less ethereal and more ultra-physical. Finally they manifest as Anasers and then are mixed with earthly matter to form the physical DNA, atoms and molecules and other elementary particles which are being discovered by science today. The Anasers are categorized into four groups: Atash (Fiery) Baad (airy) Aab (watery) and Khak (earthly).

When we die, the physical body begins to disintegrate. However, as Zoroastrians, it is our moral duty to not defile any element. At the same time, the Anasers, which are entwined within the human body must be disengaged from their physical confines and liberated. If this is not done, the flight of the Urvan to the higher regions cannot take place. This is where the great Talisman of the Dakhma comes in. Many Parsis believe that the Dakhma is merely a receptacle for the dead bodies. This is incorrect. The Dakhma is a spiritual institution whose importance is on the same level as an Atash Behram!

Before the Dakhma can be built a very intricate ceremony called the Tana ceremony is carried out. This ceremony is so intricate and backbreaking that very few priests can do it, and even they have to be guided constantly by a council of priests who gather at the spot for this momentous occasion. The ground where the physical structure of the Dakhma is to be created is first dug up to the foundation level. Then 301 nails of various weights, shapes and sizes are made out of copper. On the appointed day, the specially prepared priests descend into the foundation level and with the accompaniment of specific prayers, begin the process of hammering these 301 nails to the ground in a particular circular manner. The largest of the nails weighs a massive 20 kilos and is hammered right in the centre of the foundation. Then four nails, each weighing 5 kilos and each having three holes are hammered into the four directions. After that 36 nails are hammered in a circular fashion around the inner perimeter. Then 256 (32 x 2 x 4) nails are hammered in the spot where the gutters leading from the central Bhandar well of the Dakhma to the underground wells will be constructed. These are in two rows of 32 nails each. Finally 4 nails are hammered at the entrance of the four gutters. In this way (1+4+36+256+4) 301 nails are hammered into the ground. Each nail is to be fixed into the ground using specific prayers. To help the priests get this done properly, guidelines are drawn on the ground using chalk powder by the priests themselves. As the hammering progresses the council of priests watching from above supervises the entire process, ensuring that no mistake is made.

Then on the appointed day, the Tana ceremony is performed. Many weeks before this ceremony, pious Zoroastrian ladies belonging to the priestly class begin weaving the woollen thread which will be used in the Tana ceremony. The procedure followed is the same as is used while extracting the thread from which the Kusti is woven. With the accompaniment of prayers, the ladies of the priestly family take a ball of wool and slowly begin drawing out one thin thread from the it, using the small spindle (chaatri). This painstaking and time consuming process must be done till a sufficient length of thread is extracted. Then, two balls of this thread are taken and again, with the accompaniment of prayers, the two threads are woven together to make one strong thread. Then 101 such stands are taken to weave into a thick thread, about the thickness of a normal Kusti. [In the Kusti weaving process, 72 strands are used, but for the Dakhma 101 strands are used.] This thread is then carefully wound up to make a big ball of thread.

How much is required? Enough to go around the entire circumference and the inner parts of the Dakhma foundation three times. If the circumference of the Dakhma is say 300 feet, then more than 1800 feet (or about 545 metres) of thread is required to be kept ready. Just to give readers an idea of how difficult this is, the normal Kusti of say 5 Gaj is about 135 inches long (about 3.5 metres), we are talking about the equivalent of more than 150 such Kustis! The ball of thread is then handed over to the priests, who ritually wash and dry the thread and then fumigate it using the Dadgah fire.

On the day of the Tana ceremony, the two priests, who are in a ritually exalted state (Moti Khub), under the watchful eye of the High Priests, the chosen Council of Priests and a large number of assembled Parsi laypersons, begin the process. The main priest takes the end of the thread and to the accompaniment of specific prayers, ties the end to the central nail in the centre of the Dakhma foundation. The second priest walks behind him, carrying the big ball of thread in a large Langri, or pan. It is his job to ensure that at no point the thread touches the ground or gets entangled in any way, since that would ruin the whole ceremony. From the central nail, the priest walk to the nail in the south west corner and giving a twist there, walk to the nails in the other three corners, making a whole circle of the Dakhma foundation. They then pass the thread through one of the holes in the nails with three holes and then pass the thread over the 36 nails arranged in two rows around the circumference. This whole process is repeated two more times, passing the thread through the other two holes of the three holed nails, and twisting a turn over each of the other nails.

After the third round around the perimeter, the thread is taken to the 32 nails on each side of each of the four gutters and passed over each nail, giving a twist. Finally the thread is brought back to the centre nail and joined with the end from which the whole process was started. Any excess thread is also wrapped around the head of the nail. This back breaking and exacting process must be finished within the Havan Gah, to the accompaniment of specific prayers and without a single break or error. The Tana ceremony is the pinnacle of a priest’s life and one in thousands gets an opportunity to perform this exalted ceremony. It is my great privilege to present to readers of Frashogard two extremely rare photographs showing the Tana ceremony for the Dakhma at Bangalore. These are perhaps the only extant photos of this ceremony.

Bangalore Tana ceremony2

I apologize for the poor quality since these are photos taken from old photos by me. This second photograph shows the priests climbing back to the ground after finishing the ceremony. Note the row of 32 nails in each line. This is where the gutter leading to the underground wells of the Dakhma would be contructed.

Bangalore Tana ceremony1

One can clearly see the exactness with which the Tana has been wrapped around the nails in the ground. Also clearly seen is the Council of Priests sitting on the top, along with Head Priests and the large number of Parsis.

The following diagram also shows the positioning of the nails around the foundation and the process of wrapping the Tana thread around the nails.
Tana plan1

We shall understand the esoteric meaning behind this ceremony in our next post.

Ervad Mrzban J. Hathiram

Posted in Circle of Life, Zarathushtrian facts | 5 Comments

The Wondrous Circle of Life – part 2

Roj Sarosh Mah Meher, 1380 Yz.

The Bhoi prayers performed during the first four days provide protection and sustenance to the Ruvan, Baodangh and Fravashi (now collectively called Ruvan), as they take their seat near the head of the physical body. The Keherp, Ushtan and Tevishi bodies (collectively called Keherp from now on) coalesce to form a small receptacle, in the shape of the Farohar image which is commonly seen today, in which the Ruvan sits. The lighted Divo, the Sachkar circuits and the constant prayers near the body are of great help and need to the Ruvan as it prepares for its great flight.

The Geh Sarna ceremony cuts the umbilical cord which ties the Ruvan to its physical body. As the physical body is carried away to be consigned to the Dakhma, it is of vital importance that the Bhoi prayers are NOT stopped. Unfortunately, due to absence of priests and the laziness and ignorance of relatives, once the physical body is removed from the Bungli, the constant prayers stop. Soon the atmosphere is the Bungli also changes with relatives indulging in loud and inappropriate talk (and laughter, in some cases), totally oblivious to the fact that the Ruvan is still present and sitting near the place where the body was placed. This is the time of greatest vulnerability, when the need for Avesta prayers is the greatest. And yet, in our ignorance, we stop the prayers at the very time they are needed to most! It is the duty of relatives to form a chain of volunteers who can sit and open the Khordeh Avesta and recite just about any prayer, in a soft but audible voice, for say 15 minutes each. Then the next volunteer can take over and so on. If this simple remedy is adopted, there would be no need of requesting priests to pray, and no arguments. It is to be remembered that the primary responsibility of saying the Bhoi prayers is of relatives and not priests.

Every Parsi is supposed to recite certain prayers, which are called the Farajyat prayers in each Gah of the day. While we may not follow this injunction in life, it is essential that the Ruvan of the deceased gets this benefit. Hence at the change of every Gah, a relative should perform his Kusti and then sit down and recite the Farajyat prayers in the Bungli in a soft but audible voice. The Dungerwadi helpers should be reminded to put a Kasya of milk where the prayers are being recited. After the Farajyat prayers are over, the milk should be offered to the dog who was used to perform the Sagdid ceremony.

The Sarosh nu Patru ceremony (which should start 36 minutes after sunset) arms the Ruvan sitting in the Bungli with the protection of Sarosh Yazad, to fight the evil forces which gather as the sun sets. Meanwhile, Baj prayers should be performed in the Agiary in every Gah to offer the protection to the Ruvan and prepare it for its onward journey. If possible, three Yazashne and three (or one) Vandidad ceremonies should also be performed.

In the Ushahin Gah of the third day after death, the most important ceremonies of consecrating 5 Bajs take place in the Agiary. The Padruz Uthamna ceremony is performed in the last 80 minutes before the next day commences. (the Zoroastrian day begins 36 minutes before sunrise.) In this solemn ceremony, the lead Priest recites a very long list of names of ancient Zoroastrian Emperors, warriors, relatives of the Prophet Zarathushtra and other illustrious personages. Many persons ask me why these names of persons who have passed away thousands of years ago need to be recited? There are two reasons for reciting this Roll of Honour. The first is to pay respect to those who lived ideal Zoroastrian lives and played important roles in the rise of our religion. But the main reason is that the priest is calling attention to the super-evolved Fravashis of all those illustrious personages.

In his mind, as the priest calls out the names, he should pass this thought: ‘O Great, illustrious Fravashis! Here lies the Ruvan of the deceased Behdin. It is preparing to undertake the most dangerous and long journey of its life – from this physical earth to the regions of Chinvat in a different dimension. In this journey, it will be watched closely by many evil spirits, who would love to capture the Ruvan and use it as a slave in their unholy activities. The times in which this Ruvan has lived its life, are far from conducive for following the commandments of our great religion. It is therefore likely that the person has committed many sins and transgressions which will hinder its smooth journey. There is a great danger that the Ruvan may not reach its appointed destination. By the power vested in me through this white turban and my righteous life, I request all you great personages to witness the flight of this Ruvan. I appeal to you to offer it all assistance and protection in its voyage. I implore you to guide it to its final destination!”

The Padruz Uthamna also contains certain lessons for the Ruvan, which it listens to with full attention. The sacred Manthras of this ceremony, specially the last paragraph prepare the Ruvan for its ultimate destiny. As the ceremony ends, a helper takes the plate of flowers in one hand and the sprinkler containing rose water in the other. He first offers the same to the priests, and then to the relatives present. What is the meaning of this practice? Some wise members of our community (one of the problems with our community is that there are too many persons who think they are wise, but are not actually so) commented that since the Uthamna ceremony takes place very early in the morning, the rose water is offered to freshen up those who may have dozed off to sleep, lulled by the melodious voice of the priest! Wah! What sound logic! But then why is the rose water also offered in the afternoon Uthamna?

It was our beloved Master, Ustad Saheb, who first explained the rationale of this practice, which is called the Pai Mozd ceremony. Ustad Saheb revealed that as the Ruvan prepares for its journey, it looks forward to those who have assembled there. It wonders what those who have assembled there will do for it. At this time, the helper arrives with the flowers and the rosewater. Each member of the assembly, who has come there because of his love and respect for the deceased, should take one of the flowers from the tray and wet his hands with the rosewater. Then holding the flower in front of his eyes, the relative should make a solemn promise to offer something of value to the Ruvan of the deceased. Not in monetary terms, because that has no value to the Ruvan, but in terms of Manthra. It can be a simple promise: ‘I will recite a Stum Karda every day for the first month’, or ‘I will have the Baj ceremony performed for you every month’, or ‘I will recite the Sarosh Patet prayer for you’, or just ‘I will remember you every day after my prayers and recite one Ashem Vohu in your memory’.

The flower should be taken and kept carefully in the Khordeh Avesta book used by the relative for his daily prayers. Even after it has dried out, it will serve as a reminder of the promise given to the Ruvan. Similarly, the scent of the rosewater will remind us of our spiritual task.

The Ruvan wishes for these Pai Mozd promises as it prepares for its flight. Alas! Today we have forgotten everything. Only the shell remains!

We shall continue our journey in the next post.

Ervad Marzban J. Hathiram

Posted in Circle of Life, Zarathushtrian facts | 6 Comments

The Wondrous Circle of Life – part 1

Roj Khorshed Mah Meher, 1380 Yz.

Where do we come from? Why are we here? What do we need to do here? Where will we go? These are the essential and existential questions asked by all at some point or other in our life. Great philosophers and thinkers have applied their immense intellect to come up with answers that may satisfy our urge to know the reality behind this earth. A famous musician and singer wrote eloquently:

From the day we arrive on the planet
And blinking, step into the sun
There’s more to be seen than can ever be seen
More to do than can ever be done

Some say eat or be eaten
Some say live and let live
But all are agreed as they join the stampede
You should never take more than you give

In the circle of life
It’s the wheel of fortune
It’s the leap of faith
It’s the band of hope
Till we find our place
On the path unwinding
In the circle of life.

What does the Zoroastrian religion have to say about these questions? What light has our Master, Ustad Saheb Behramshah Nowroji Shroff shed on the wondrous circle of life?

Ustad Saheb explained that in order to properly answer these questions, it was necessary to understand the rationale of creation. The Zoroastrian Divine Science reveals that Ahura Mazda created this universe to aid in the process of collective salvation (Frashogard). The Ruvans of man play a central role in this process. The Ruvans carry with them a part of the imperfection which exists in nature. This imperfection has to be converted to perfection. Over an extremely long period of time (called Zravane Akarne – Endless Time in the Avesta), the individual Ruvans will convert their individual burden to perfection. When all such individual fragments have been reformed, the collective universe will head towards collective perfection – called Frashogard, or Frashokereiti.

Thus man’s life of 70-80 years is an insignificant part of the overall extremely long life of the Ruvan as it toils to reform the small part of imperfection it carries. The earth is one of the many milestone stops where the Ruvan arrives at, uses the facilities provided by Ahura Mazda and His Creation to reform its burden and then proceeds onwards on its long journey. Our physical body, in which the Ruvan spends the few years of our life, is one such aid in the process of transmutation of evil to good. Therefore to understand the journey of the Ruvan and our own journey, it is necessary to properly study the composition of our body.

The Avesta reveals that the physical body which we see and interact with is not the whole body. The complete human body is composed of nine parts, divided into three groups of three components each. The first group of three bodies, which we may call the Physical Group, consists of

  • Tanu – the physical body, skeletal and muscular system;
  • Gaetha – the various internal organs and diverse systems within the body; and
  • Azda – the nervous and circulatory systems as well as the liquid profiles within the body.

The second group of three bodies, which we may call the Ultra-physical Group, consists of

  • Keherp – the astral body which contains within it 16 spinning centres, called Chakhras,
  • Ushtan – the life breath of the body, connected to the life breath of the person’s religion and its Prophet; and
  • Tevishi – the emotions body which is also the seat of inspiration.

The third group of three bodies, which we may refer to as the Divine Group contains the

  • Urvan – soul,
  • Baodangh – the Divine Wisdom of Ahura Mazda, a part of which is contained in every creation; and
  • Fravashi – the Spirit of Implicit Obedience, the mother who guides all the other bodies.

 

The Keherp or the subtle body contains within it 16 centres, called Chakhras, which attract, receive, process and distribute Divine Energy which descends from the heavens above. The Chakhras are located at 16 different points of the human body, starting from the top of the head to the soles of the feet. The three Divine Bodies of Ruvan, Baodangh and Fravashi reside within the 10th Chakhra which is located near the heart.

Each of the three groups also has its own reasoning and thinking mind. The mind which we currently use to determine our daily behaviour is the mind of the physical group of bodies. (referred to as the physical mind from here on). The mind connected to the ultra-physical group of bodies is currently dormant, but can be activated by those who are advancing on the spiritual path. The mind connected with the Divine group (which we will refer to as the Ruvan’s mind) is also dormant during our physical life. It can be activated by very advanced persons who have freed themselves from the limitations of physical life. During our lifetime of 70-80 years, the physical mind is active and this is the intelligence we use to make the decisions which will shape our lifestyle and interaction with others.

Another important point to bear in mind is the fact that every thought, word and deed which is produced by our physical mind is recorded at three places in nature. The first imprint is placed in our Aipi, or the immediate surrounding area of our physical body which is unseen through normal eyes. The second imprint is recorded on the ground where such thought, word or deed was germinated. The third imprint is created in an area far above the earth, which we shall examine later on. Depending on whether the thought, word or deed was good (good refers to universal good, not personal or convenient good) or evil, the imprint is recorded in either the south or north side of the area above the earth. These imprints play an invaluable part in our onward journey, as we shall see later on.

On the day of death, which is always pre-determined, many processes are started within the 9 bodies. As dawn breaks, the Azda, which is like a bag of viscous liquid permeating the entire physical body and about 3 inches beyond that, slowly begins to develop a crack, near the right toe (for a male) and the left toe (for females). The life force begins to seep out of this crack slowly. At the same time, the physical mind, which was active all through life, begins shutting down. Depending on whether the death is destined to be sudden or violent or whether it is gradual or peaceful, the physical mind sees a recap of the events of the entire life, in a few seconds or over a slightly longer period. Slowly, the physical faculties of the body begin shutting down, one after the other and the mind begins wandering or slipping in and out of consciousness. At the moment of death, the Azda breaks down totally and the two heat forces which were keeping the physical body alive, cool down and stop.

At the point of death, the Divine Bodies of Baodangh and Fravashi, which have been alerted and activated, now arouse the Ruvan and its mind. The three bodies, which were residing in the tenth Chakhra near the heart, must now move out of this place, and take up residence in the first Chakhra, located at the top of the head. This is a dangerous journey (although it seems to be hardly a distance between the heart and the head). The danger arises from the arrival of two evil forces – Aeshma Druj and Nasu Druj. Aeshma Druj is the evil force which is created from the imprints of our own evil thoughts, words and deeds, which had been collected in the Aipi through the life time. Nasu Druj is the evil force which arises once the physical body loses its heat and starts decaying. It is the primary reason why the body begins to give off bad odour and starts decomposing. Both these Druj forces put roadblocks in the journey of the Divine Bodies from the 10th Chakhra to the 1st Chakhra.

At this point, it is essential that the Sachkar ceremony is performed immediately, and definitely in the same Gah in which death took place. It is very unfortunate today that the Sachkar ceremony is purposely delayed so that a relative of the deceased can come and touch the body. While emotions must be respected, the Ruvan of the deceased suffers tremendously because of the delay in performing the Sachkar. Unless the Sachkar is performed, the road is not cleared for the Ruvan to complete its journey from the 10th Chakhra to the 1st Chakhra. The relative of the deceased does not gain anything by touching a dead body, the life from which has moved out long ago. But this delay causes grievous hurt to the Ruvan of the deceased. Those who willingly delay the performance of this vital ceremony put such a grave load on the onward journey of the soul that its ill effects cannot be imagined.

Once the Sachkar ceremony is performed properly, the spiritual circuits drawn by the iron nail moving around the body stop the attack of Aeshma Druj and Nasu Druj on the Ruvan. The Divine Bodies now move out of the tenth Chakhra and take up their residence in the 1st Chakhra, where they will reside for the first three days after death.

We shall continue the journey further in the next post.

Ervad Marzban J. Hathiram

Posted in Circle of Life, Zarathushtrian facts | 3 Comments

Goodbye, my dear Bhimsen

Roj Adar Mah Sherevar, 1380 Yz.

It is my sad duty to write a few words in memory of a friend who stood by me, through thick and thin, through joy and tragedy, through ups and downs for the last 25 years. Like many thousands of Indians, I grieve today the loss of my best friend and elder brother (Anna), Pandit Bhimsen Joshi, who has gone to the Abode of Songs, where there is no pain and distress, just endless celestial music. An era has ended, a voice that captivated the hearts of so many has been replaced by a void which will never be filled. Bhimsen Joshi is dead! May Bhimsen Joshi’s voice and legacy live on!

Why am I writing about a classical Indian musician on a Zoroastrian blog? The answer lies at the end of this post.

I was first introduced to Indian classical music at a very young age through the shehnai recitals of Ustad Bismillah Khan on Doordarshan TV on Republic Day and Independence Day. bismillahThese recitals captivated me and I would sit and listen to them with great interest, before going for the school parade, much to the irritation of my family members.

 

 

 

Then on one of the death anniversaries of Indira Gandhi, I heard, for the first time, the voice of Mallikarjun Mansurmallikarjun as he sang a Bilawal in a near delirious fashion at her Samadhi. I was transfixed and could not get the song out of my mind. It was after this that I first heard Bhimsen Joshi sing ‘Rain ka Sapna’ (my dream last night) in Raga Lalit. This Raga and the accompanying Bhajan ‘Jo bhaje Hari ko sada’ (he who worships the Lord always) marked the beginning of my love affair with Indian classical music and Bhimsen, which continues to this day.

 

My interest in Indian classical increased day by day and my collection of cassettes and LPs grew from the little money I made as a part-time priest, while pursuing college. My family members had to put up with the seemingly unmelodious and highly irritating music all played at the weirdest hours. Soon I began attending concerts of various artistes, both vocal and instrumental. After my higher secondary, I joined the Income Tax department through an all-India exam and was fortunate to find an inspector in my ward who shared my passion for music and who had studied the same in a rigorous manner. While the mornings were spent on mundane tax work, the afternoons often found both of us listening to a cassette on a walkman, each of us hearing the song through one ear bud in our respective ears. We would then sit and analyze the Raga and the various neat tricks and interesting variations that the artiste would bring to an ancient form.

After the terrible riots in Mumbai post the Babri Masjid issue, a concert was held at the Shivaji Park grounds, by a collection of Indian classical musicians of both communities who wanted to show Mumbai that music knows no boundaries of religion or caste. This concert stretched over 24 hours, and each artiste was allocated 30 minutes to present his art. It is here that I came face to face with many senior musicians. As the night progressed, at about 2:20 am it was the turn of the famous Dagar brothers to present the ancient music form of Dhrupad, which draws from the Vedas. As these two Muslim brothers began their performance with a recitation in Sanskrit of a verse from the Vedas praising Saraswati – the goddess of music, there was pin drop silence. Even the irritating child behind me who had kept on whining and crying through the evening (and who I had a good mind to throw away somewhere far off) went suddenly quiet as the Dagar Brothers wove a spell of magic over the audience. The notes and words of their recitation in Raga Chandrakauns still reverberate in my ears. A strange effect passed through me and I was convinced that this was what I wanted to do.

dagarbros
After the recitation, I made my way to the tent behind the stage where the Dagars were resting. I touched their feet and requested them to teach me their art. Both brothers looked at me very closely and then said: ‘why not? But you will have to leave everything and stay with us at our ashram in Delhi.’ That was one of the most difficult nights I have faced as I wrestled with the security of house and family and the strange attraction of Dhrupad and the Dagar brothers. I have no hesitation in admitting that I did not have the guts to leave everything and go away with them. Who knows what might have happened…?

Such fears and insecurities were never present in Bhimsen. When his father pressurised him to become a man and his mother gave him a dollop of ghee less than he wanted on his rice, Bhimsen ran away from home, following the wandering minstrels and music parties which roamed the length and breadth of India in those days, searching for someone who could satisfy his hunger to learn music. After many years of searching and wrong starts with different artistes, Bhimsen finally found his guru very close to his village Gadag in Karnataka. It was Rambhau Kundgolkar, better known as Sawai Gandharva .

sawaigandharva

Sawai Gandharva had himself learned the art from the famous Abdul Karim Khan, abdulkarimkhan

 

the founder of the Kirana Gharana. Bhimsen entered into the sacred guru-shishya relationship with Sawai Gandharva, staying with him in his modest hut, cleaning and doing odd jobs for his guru and learning at the same time. Another famous musician, Gangubai Hangal was also present in the house at the same time and she would walk some distance to draw water from the well and do the cooking, while learning at the feet of the guru.

Bhimsen’s career started from age 19 and spanned over 6 decades. His voice and his art changed dramatically over the years, but what did not change was his unwavering commitment to traditional, pure music drawn from various sources but processed in the Kirana Gharana style. In one of his many interviews, Anna (as he was affectionately called) likened a good musician to a thief – listening to others and drawing the best from them and incorporating that into their own singing. As his age increased, his voice grew deeper and his singing became more akin to introspection.

Bhimsen

Over these years, Bhimsen Joshi and his voice provided me with great solidarity, friendship and companionship. Even though we never met formally (although I heard him at many concerts) he was like an elder brother who I could always fall back on for support and help in my times of need. At many great turning points of my life, when I was lonely, Bhimsen was always there. At times of rejoicing and celebrations too, he was there. As this bond deepened and strengthened, the various recordings of Bhimsen would immediately rise up in my mind depending on my moods and emotions. Unlike other friends, who came, took what they want and left, Bhimsen stood by me, never asking for anything more than my attention as he yearned for communion with God through music.

During this time I was also lucky and blessed to have as a mentor Ervad K. N. Dastoor (KND), now Dastur Kaikhushroo Meherjirana (the 17th Meherjirana), with whom I spent many memorable evenings, attending concerts, listening to recordings or just sitting and discussing the intricacies of Indian classical music. On these many trips, we encountered Bhimsen in various moods – sober, drunk, devotional, aggressive, loving, passionate, desolate, full of pathos, near ecstasy. These were some of the best hours of my life, which have remained etched in my consciousness and memory forever.

While the beginning of the concert would always be very serious with great emphasis on the classical music and rules of the Raga, as the evening progressed, Bhimsen would relax and come into his element, turning from pure classical to semi-classical, singing the many Thumris which his guru was famous for and then finally end the concert with a devotional item – a Bhajan, an Abhang of Tukaram, a couple of verses of Kabir, or a composition in honour of Vithal. This was the time when Bhimsen lost himself in devotional fervour, bordering on ecstasy. His singing would often move the audience to tears as he rocked and swayed and brought the full force of his powerful voice to bear on the sweetest melodies of ancient saints and masters of the Bhakti cult. As the concert ended, and the audience would file out, every second member would be humming the last item and it stayed on in the mind for days together, driving his listeners crazy with joy.

Alas, time spares no one. With increasing age, Bhimsen found it difficult to sit cross legged for hours together in practice on in concert. But his voice remained amazingly strong. I very clearly remember the last time I attended Bhimsen’s concert – at the St. Xavier’s college annual gathering. There, in the open quadrangle, amidst hundreds of listeners, Bhimsen was got to the stage in a wheel chair, and gently helped up. He sat with his legs dangling down and apologized to all for that. But the voice! Same and strong as ever! On his left was his trusted accompanist for many years, the harmonium player Appa Jalgaonkar. Appa Saheb had suffered a stroke which had left his left side paralyzed. Yet he insisted on accompanying Bhimsen. His son sat to his left and used his hands to move the lungs of the harmonium. Using his good right hand, Appa Saheb played the harmonium in perfect synchronicity with Bhimsen’s voice.

There were many moist eyes in the quadrangle that evening, as we applauded the greatness of these two musicians, and realized, with a sharp pain in our hearts that it was all ending now. KND looked at me and said “it seems like the last time.” I nodded in agreement. What more was there to say? After the concert was over, the crowd refused to move on. Proud as ever, Bhimsen did not want to be carried down the stage in front of his audience. He gestured angrily at everyone to move on, so that he could descend with his dignity intact. We filed out, looking back for that last glimpse…

Despite his advancing age, Panditji went on signing. His last recording was a series of four CDs at the age of 80, called Unsung. It is in these CDs that his voice has the greatest pathos and depth – a lasting legacy for all time. He was no longer singing for his audience. He was singing for himself and for his Lord, totally absorbed and throbbing with emotion. The Raga Ahir Bhairav of that volume is just superb. Panditji got many honours, including India’s highest award – the Bharat Ratna. But for him all that was small change. What mattered most to him was the love and affection of his listeners.

For all his glory and honours, Panditji would become intensely humble when asked about his Guru or Ustad Abdul Karim Khan. At a concert in the famous Albert Hall in London, Bhimsen gave a fabulous rendition of Raga Miyan ki Malhar. After this, he was requested to sing the very famous “Jamuna ke teer” (On the banks of the Jamuna) – a personal favourite of Abdul Karim Khan. Bhimsen lowered his voice and said: ‘There is a request to sing Jamuna ke teer. This is Abdul Karim Khan’s song. Who was Khan Saheb and who am I! I am signing only to remember him and refresh my memory of his greatness. The great ones have sung and gone away. We who remain can only think about their greatness. Of all types of singing, the most difficult is to make an impression on a song that has been sung greatly by another.’

In the same manner, there were many imitators of Bhimsen, but he remained untouched and unreachable.

Dear readers of Frashogard, there is a deep reason I have chosen to write about Indian classical music and Bhimsen on this blog which deals with our religion. Khshnoom and Ustad Saheb have revealed a great similarity and symbiosis between religion and music. Indian classical music owes its origins in the Vedas and many Hindu gods and goddesses have some musical instrument as part of their attire and appearance. There is a deep significance in this.

Ustad Saheb revealed that there exists a divine symphony in the Universe – the Ahunavar or the Will of Ahu. This divine symphony is not audible or visible to the human ears. But the prophets of different religions and their authorised great disciples were fortunate to be able to hear and understand this divine symphony. Based on their hearing of the Word of God, the Prophets and their disciples composed special languages which could be comprehended or pronounced by the human tongue and heard and understood by human ears. Our sacred Avesta is the highest and purest of such languages. Sanskrit is another such language whose proper pronunciation can give rise to special formulations in nature. Music (specially Indian classical music) is also one such offshoot of the divine languages created by Prophets and their disciples.

The proper practice and pure performance of Indian classical music not only arouses feelings of devotion and love towards God but is also a powerful catalyst of the emotion of vairagya – dispassion, indifference towards the material attachments of this world. The proper and righteous practice of classical music can bring one very close to salvation. Of course classical music cannot be a substitute for our religion and its sacred Alats like Sudreh-Kusti, but it can be an important tool in our quest for communion with God. In ancient Iran, the practice of music was very prevalent and many instruments like the sarod and sitar owe their origin to Persian instruments. The Shah Nameh has many references to imperial court music and its effects. Unfortunately, much of that is lost today. The wandering minstrels singing songs composed on stories from the Shah Nameh have also become almost extinct.

The death of Pandit Bhimsen Joshi is not only a monumental loss to me personally but is also a great loss for India and Indian classical music. Artists like Bhimsen captured the imagination of millions of normal Indians by his rendition of simple melodies like ‘mile sur mera tumhara’ which really energised the population and built national identity and unity. In an age where cheap lyrics, skin show, vulgarity and total absence of tone marks the Bollywood version of music, the likes of Bhimsen were a powerful alternative to those who yearned for real music and melody.

May the soul of Pandit Bhimsen Joshi quickly reach its appointed destination and come under the protection of his religious forefathers. His years of devotional singing, relentless riyaaz and pure life have surely secured for Panditji that vision and unity with God which he yearned for!

Goodbye, my friend and brother! I will miss you but your profound and magical voice will remain with me till we meet again at the feet of our Lord, in Garothman – the Abode of Songs!

Ervad Marzban J. Hathiram

Posted in Bhimsen Joshi | 8 Comments

Varsi of Vada Dasturji Meherjirana observed

Roj Dae-pa-Adar Mah Sherevar, 1380 Yz.

The Siroza and Varsi days for late Vada Dasturji Meherji Dastur Kekobad Meherjirana was observed on Roj Amardad and Dae-pa-Adar respectively (22nd and 23rd January). The detailed ceremonies appropriate to the occasion were carried out at the Ustad Saheb Behramshah N. Shroff Daremeher in Jogeshwari, Mumbai by a team of Mobed Sahebs led by myself.

In addition, prayers and ceremonies were also held at Vada Dasturji’s house and at the Bhagarsath Atash Behram in Navsari.

In the blink of an eye, a whole year has passed since Vada Dasturji passed away. How time flies! It seems just yesterday when we first heard of the terrible news of his demise, and just a short while ago when we sat down to conduct the prayers and ceremonies for him as per his desire at my Daremeher.

On the occasion of Dasturji’s Varsi, I present here a few photos from the many given to me by his wife Meherbanu for archiving.

It all began with the first Dasturji Meherjirana – Dastur Meherji Ervad Vatchha, who was appointed the first Vada Dastur of the community on 12th March 1579. He passed away on 1st November, 1591. Here is the portrait of this saintly personage from Dasturji’s house and also present at the Navsari Bhagarsath Atash Behram.

FirstMeherjirana

The Dasturi passed on to 14 descendants before it was handed to Dastur Kekobad Dastur Darab on 29th January 1907. Here is the photograph of Dastur Kekobad – the adoptive father of Dasturji Meherji.

DKekobad

Dasturji Meherji became the 16th Meherjirana following the death of his adoptive father Dastur Kekobad on 24th July 1960. Here are some photographs of Dastur Meherji through his life.

A young Dastur Meherji with the President of India Dr. Sarvapalli Radhakrishnan.

MeherjiRadhakrishna

Here is a photograph of the wedding procession of Dasturji Meherji, as it passed through the east side of the Navsari Bhagarsath Atash Behram. Notice the “teturi” band players in the front!

Meherji wedding

The second photograph shows a very young Dasturji Kaikhusroo JamaspAsa in the procession (in line with Dasturji Meherji on his right, with the shawl).

Meherjiwedding2

Here is a very rare and unique photograph. From left to right, a very young K. N. Dastoor (the current 17th Dastur Meherjirana), Dastur Hormuzdyar Mirza of Udvada, Dasturji Meherji standing and speaking, and late Jehangirji Chiniwalla sitting on the right. This is most probably taken on one of the Baj functions of Ustad Saheb Behramshah N. Shroff.

MeherjiJSC

A rare photograph of Dastur Meherji felicitating JRD Tata on his visit to Navsari.

MeherjiJRD

A loving photograph of Dasturji Meherji and his wife Meherbanu

MeherjiMehru

A late photograph showing Dasturji Meherji with the great Athravan Ervad Eruchshah Karkaria

MeherjiEruchsha

One of the last photos of Dasturji Meherji standing under the portrait of his illustrious ancestor the first Dasturji Meherjirana.

Meherjiand Rana

May Dasturji Meherji’s Ruvan progress speedily from the spiritual regions and come under the protection of Asho Sarosh Yazad and move forward to join the great Ardafravash Brotherhood!

Ervad Marzban J. Hathiram

Posted in Dasturji Meherjirana | 10 Comments

How to come to terms with a tragedy – part 2

Roj Asman Mah Amardad, 1380 Yz.

In our previous post we analyzed the emotions that run through our mind when faced with a serious crisis. We asked the question whether there was anything in our scriptures which could help us ease our anguish. The answer lies in the deeply mystical and devotional paragraph of Ahunavaiti Gatha, Yasna 29.4.

Yasna Ha 29 begins with the lamentation of Geush Urvan – the Soul of the Earth. She complains to the Creator that unbearable levels of sin are being forced upon her by the deeds of evil men. The load on her shoulders is too heavy to bear. She asks for deliverance, for a saviour, who can ease her burden and transform the Earth to its original pristine state (Yasna 29.1).

At this point, Geush Urvan and Her twin, Geush Tashan – the Architect of the Earth, enter into a deep meditation with Ahura Mazda. From this meditation, the Twins receive the answer to their anguish and queries. Ahura Mazda explains that their lamentation has already been registered with Him. Based on the Plan of Ahu, a saviour has been appointed, many millions of years before this event, who will come and deliver the Earth from its accumulated evil. He, who is the Saviour, has already started His mission in the higher realms to ensure that the load put on Earth is relieved and such a situation does not occur again. (Yasna 29.2)

In the process of this deep meditation, Ahura Mazda reveals to the Twins the Saviour of the Earth – Zarathushtra. Ahura Mazda explains to them that so far, all those who had tried to combat the evil of the earth had failed, because they did not have the requisite Spiritual Authority and Divine Weaponry to combat evil. Because of the absence of such Divine Authority, the evil on the earth had accumulated to such levels that the very existence of earth was called into question. (Yasna 29.3) Thus even though the PoiryoTkaesha – the First Law Givers – the great monarchs of the Peshdadian and Kyanian dynasty who preceded Zarathushtra fought a valiant battle against evil, the final victory and triumph would come only when Zarathushtra the Yazata took human form and descended on the earth. This was the message of Ahura Mazda to the Twins of the Earth.

In deep spiritual ecstasy as the Creator resolved their anguish, the Twin Geush begin the chanting of one of the most devotional verses of the Gathas, Yasna 29.4. This chanting was not only to proclaim their spiritual deliverance, but more importantly, it was to leave a message for every single person who may ever be in distress. The promise of deliverance and redemption contained in this verse is not confined to Geush Urvan and Tashan, but is for entire mankind and every part of creation. Let us have a look at the three lines of the Avesta verse first, so that we may realise the beauty of the language of love and devotion.

i. Mazdao sakhvare mairishto ya-zi vaverezoi pairi-cithit
ii. daevaishcha mashyaishcha yaca vareshaite aipi-cithit
iii. hvo vichiro Ahuro, atha-ne anghat yatha hvo vasat!

The verse can be freely translated as:

i. Mazda is the best-keeper-of-tallies (mairishto) of each-and-every-thought-word-deed (sakhvare) that (ya) indeed (zi) has-been-done (vaverezoi) in-the-time-gone-past (pairi-cithit).

ii. (and Mazda also knows every thought-word-deed) that (yaca) will-be-done (vareshaite) hereafter (aipi-cithit) by the Daevas (daevaishcha) and by man (mashyaishcha).

iii. Ahura is (Ahuro) Himself the Lord (hvo), the One-Who-Judges-Good-and-Evil (vichiro). Therefore (atha) let happen (anghat) unto us (ne), as He Himself (hvo) Desires (vasat).

Like all Gathic verses, Yasna 29.4 has multiple levels of meaning and understanding. The key lies in properly establishing the link between the preceding verses and the verses following, as well as the relationship between the three different lines of the verse itself.

The verse begins with the proclamation about the knowledge and memory of Mazda. The very word Mazda means Wisdom. But here Zarathushtra, speaking through the voice of Geush Tashan amplifies the true and deeper meaning of He Who we call God. Mazda is described as being mairishto – the Best Remembering, the Calculator, the Enumerator. The Avesta word mairishto is derived from root mar – to count, and ishto is the superlative degree, hence ‘best counter’. Khshnoom explains the deeper meaning of this word as One who not only remembers everything, but also One who sorts the thoughts-words-deeds of all creation – classifying them as good or evil. The word also finds resonance in the 16th name of Ahura Mazda contained in the Hormazd Yasht, Hata-marenish – ‘One Who maintains Account’. The other important word in the first line is sakhvare, which is translated as ‘each and every word’. The deeper meaning of sakhvare is the summation of all thoughts, words and deeds committed by each and every aspect of creation. Every little thought, or word or execution, anything of the slightest exertion, any seemingly insignificant activity – yes, even the leaf that flutters in the wind, is covered in sakhvare.

Thus the first line of the verse proclaims that Mazda is the keeper of account of anything – any thought, word or deed which has taken place in the past. Accordingly in times of distress and tragedy, when we may feel that God has forsaken us, forgotten us, this first line of the verse provides us with that great emotional support – we are not alone. God is with us at every step. He knows all, He remembers all, He keeps tally of each and every aspect of creation.

This great comforting thought is further amplified in the second line of the verse. Not only does Mazda know, understand and record every thought-word-deed of each aspect of creation which has occurred in the past, he similarly knows of every thought-word-deed of each aspect of creation which will happen hereafter. The important words in the second line are daevaishcha and mashyaishcha. Daeva is a most misunderstood word in Avesta studies, which has been unfortunately applied to the similar sounding word in Sanskrit for Divine Beings of the Hindu religion. Just because two words of two different languages sound the same, they need not mean the same!

Ustad Saheb explained that the roots of the similar words in both languages are different. In Sanskrit, Daeva is derived from the root div – to shine, hence Daeva in Sanskrit means the ‘shining ones, celestial beings’. However, in Avesta, the word Daeva is derived from root dab – to deceive. The word Daeva in Avesta means one who is deceived – that is, one who does not understand the end aim of creation. Daeva implies one who is rooted only in the present. He sees the various aspects of God’s creations and does not understand their end aim – of Frashogard. He therefore tries to acquire everything he sees for himself – paying no thought or regard to whether the possession rightfully belongs to him or not. Thus one who wantonly loots the good creations of Ahura Mazda for his narrow, selfish and immediate consumption is called Daeva – the misguided one.

The second line therefore distinguishes between a Daeva and mashya – man. Man is an elevated being – one who can reach the status of a divine being, a Yazata – if only he can conquer his physical senses and infirmities. Therefore, every thought-word-deed of either the misguided ones – who will someday be reformed and attain perfection, as well as man – who is well on his way to perfection (although many obstacles remain), which have been done earlier – or which will be done hereafter – all are known, understood and sorted by Mazda.

The great message and comfort to man contained within the second line is that not only does God know and understand whatever has happened in the past, he also clearly knows and understands, and will keep record, of whatever will happen hereafter, in the future. Thus, nothing is hidden from Him, whether past, present or future.

Based on the Divine Truths contained in the first two lines, the third line packs the most potent punch, summarising and leaving for mankind, one of the greatest teachings of Zarathushtra. It says, Ahura is Himself the Lord of Judgement. Here, it is important to distinguish between Ahura and Mazda. Most of us understand Ahura Mazda as One Being whom we refer to as God. However, Ustad Saheb revealed that in the Avesta, different functions of God have been ascribed different names, based on what stage of creation they exist, and the time scale. It is for this reason that God is referred to variously as Ahura, Mazda, Ahura Mazda, Mazda Ahura, Hormazd, Khodae, Anhuma, etc. In this verse, God is referred to as Mazda in the first line, but as Ahura in the second line. This is not some poetic license, but rather a true reflection of the different powers and states of God.

Ahura means Lord of Existence, derived from root ah – to be. Hence the function of God, which causes creation to exist and go ahead is overseen by Ahura. When God undertakes the role of Executor of the Will of Ahu, creating and furthering every aspect of creation, He is referred to as Ahura. But when God is referred to for His ability to Keep Record and Know all that has happened and will happen, He is called Mazda. This fact was well known to the Pahlavi Masters – the great religious leaders of the times of the Sassanian Zoroastrian monarchy who wrote commentaries on the Avesta scriptures. Explaining this line, the Pahlavi translators have added their comments in brackets to explain the distinction between Ahura and Mazda.

The key word here is vichiro – the judge, the chooser, the separator. Creation can be furthered and taken to perfection only when Righteous Judgement exists. Zarathushtra proclaims here that Ahura is the Righteous Judge. Thus Ahura is the Judge of All, He who sees through the thoughts-words-deeds of all creation, He cannot be misguided, or deceived. He knows all. Based on His great wisdom, Ahura sorts through our thoughts, words and deeds and passes His Judgement.

Mazda keeps record, knows about every thought-word-deed of each aspect of creation, whether done in the past or to be done hereafter, either by the misguided ones, or by man. Ahura is the Righteous Judge of all such thoughts-words-deeds. So then what is left? Rightly Zarathushtra delivers His masterstroke, proclaiming: ‘atha-ne anghat yatha hvo vasat!’ Whatever will happen to us – it will only be as He Himself desires!

Readers of Frashogard – these six words of Avesta should be forever on our minds, lips and in our hearts! Nothing in this world (or other worlds) happens without the consent of the Lord. Nothing that happens, or will happen, can happen without the knowledge of the Lord. Whatever happens, is the consequence of the Judgement of the Lord. Therefore, DO NOT COMPLAIN, BE CONTENT, THIS TOO SHALL PASS. This is not an attitude of resignation, or giving ourselves up to fate. No. There is no complacency here. But herein lies great wisdom, and the key to our salvation.

Because our mind is incapable of seeing the larger picture, since it cannot think beyond the present few years, or this life, we often mistake the Will of God as misfortune, calamity or worse – revenge or vindictiveness. The Lord is Just, but He is also Merciful. Whatever happens to us has come about through our own various thoughts-words-deeds, spread over an expanse of time which we cannot even begin to fathom. As Ahura guides us from imperfection to perfection, from being removed from Him to being one, united with Him, there will be many times, many events which will sadden us, will make us cry, will make us feel as though God has forsaken us. But that feeling in only the manifestation of the imperfection of our minds and emotions.

Zarathushtra reveals that it is human to err and human to complain. But the real nucleus of our humanity lies in understanding our weaknesses and our imperfection, and in being content with being guided by the Lord of Existence and Perfect Wisdom. When we leave our emotions aside and put faith in the Judgement and Perfection of Ahura Mazda, there can be no room for doubt, for weakness, for complaining. It is not an easy path, but it is a path which we must all tread, wiping away our tears and girdling our heart from the pain that threatens to wreck us. As we take one step, the Wise Lord will come multiple steps towards us, hold our hands and lead us to salvation.

The desire of man to enter into everlasting union and communion with God is contained in the beautiful verse of the Hoshbam prayer where we implore:

Asha Vahishta Asha sraeshta, daresama thwa, pairi thwa jamyama, hamem thwa hakhma.

Through Perfect Righteousness, through the most beautiful righteousness, may we see You, may we come near to You, may we attain everlasting Friendship with You!

Dear readers of Frashogard, it is only in times of crisis and tragedy that we can come nearer to Him. Let us use such trying times to revitalize ourselves, to re-dedicate ourselves to Him and to reach out to Him, so that He may deliver us from our pain and afflictions. May it be so, as He Desires!‘atha-ne anghat yatha hvo vasat!’

Ervad Marzban J. Hathiram

Posted in Tackling Tragedy, Words of Wisdom | 6 Comments

How to come to terms with a tragedy – part 1

Roj Din Mah Amardad, 1380 Yz.

Tragedies have a habit of sneaking up on us. One minute we are laughing, content and full of plans for the future. An occasional visit to the doctor, a casual observation, a blood report, the next moment, brings all this to an end. Our carefully built edifice based on our best laid plans, years of hopes and aspirations – all comes tumbling down. Rare is the person who has not looked up to his Creator at such times and been at a loss for words, except that one: WHY?

Of these life shattering moments, perhaps the most painful, is the loss – or danger of loss, of someone who is most dear to us. Even though humans are mostly selfish, for each of us, there are a few persons in this world whose life is even more precious to us than our own – our spouse, our children, our parents, our spiritual guides… When a situation arises that the life of one who is so loved is put in such danger that his very existence comes into question, our mental equilibrium is deeply disturbed, and our mind goes through various stages of thinking and emotions.

Disbelief: The first emotion we go through invariably is disbelief. Is this really happening? Maybe it is all a big mistake. Maybe the report is not ours, maybe the sample got mixed up with someone else’s. How could it happen to us? All this only happens in movies and to other people, never to us or those around us.

Acceptance: After the initial shock and disbelief, our mind realizes that the escape routes we thought of earlier are not real. Faced with mounting evidence and the equally serious and glum looks of those around us, the mind slowly turns around to the critical stage of acceptance. Yes, this has happened, and it has happened to us.

Anger: With the growing acceptance of the reality, arises a strong anger within us. How could this happen to me? Me? Of all persons? How dare destiny bring us this? Doesn’t nature and God know that we are special?

Questioning: Along with the anger come the questions. The most difficult question is WHY? The mind enters into a cause and effect phase. What did I do that brought about this reaction? We try to establish some parallels as to how the tragedy could have been caused by our (or more likely, someone else’s) actions. This is a futile exercise, because the workings of nature are not within the comprehension of our little minds. After all, the mind remembers events of may be a few years ago. But what of the events which happened is our past lives? How do we draw conclusions based on such limited knowledge?

Bargaining: Failing to find answers to our questions, we enter the phase of bargaining. We begin offering all sorts of compromises and deals to God. I will never do this again, I will pray every day, I will offer Machi to the Padshah Saheb, take some of my own years and gift them to the person suffering… Being unaware of the workings of the Creator and His nature, such pleas are bound to fail, and they do.

Faithlessness: When our questions are unanswered, and our bargains find no acceptance, we go down the road of faithlessness. There is no God, He has abandoned me, this is all a figment of our imagination, it’s just there to make priests rich… What is the use of my many prayers? What use this Sudreh-Kusti?

Jealousy: Along with faithlessness arises the most dangerous negative emotion of jealousy. We see others, seemingly normal and leading happy lives, and our hearts burn with envy. Being self centred, our own anguish seems to be the most heavy load on the earth – and everybody else has it easy. Alas, if we could read the mind of the other person – maybe he would be thinking the same of us!

Despair: When our questioning does not get answers, when our bargaining fails and even the ‘freedom’ of faithlessness does little to help us, when jealousy eats our innards, there is nothing to hold on to. We begin to sink into despair. We feel that all is lost, that there is no one for us. The downward spiral accelerates, there is a real danger of losing all that we held dear to us. The night is dark, gloomy and full of despair. Sleep evades us. Tossing and turning in bed, our mind caught in a vortex of our own making, we ask: When will dawn come and what will she bring with her?

Our inability to think beyond the immediate is the root cause of our suffering. Our thinking is governed more by the present, and perhaps a few years ahead. Due to the limited boundaries of our physical mind, we believe that the 70-80-90 years we are destined to live in this life is the be all and end all of existence. This extremely short term span (compared in terms of the age of the universe) of our thinking and reasoning arouses in us an insatiable greed – the greed of acquisition. We believe that it is in our interest to acquire more of everything in the shortest possible length of time. This greed is not confined to material things alone. We are greedy in wanting happiness throughout our life. The love and respect of our children and elders, the companionship of our peers, the friendship of good health – all these are our desires. When this much sought after equilibrium is disturbed, or is found not attainable, we become most upset. When these desires are not met, we suffer.

Introducing the Frashogard Journal in the print medium a few years back, I wrote: ‘Not even a leaf flutters without the will of the Lord’. This is not poetic exaggeration, but rather the pure truth. The Will of the Lord is supreme. This is manifest in the beginning words of our most ancient and powerful prayer: Yatha Ahu Vairyo – the Will of the Lord. The prayer explains, in highly mystical terms, the 3-stage Grand Plan of Creation, which comprises of:

i) the establishment of the universe as a means of cleansing the evil that exists within each of us,

ii) our transformational journey through the ages as part of that process; and

iii) the final, ultimate merging of our self with Him.

The Plan of Ahu is so detailed, diverse, gigantic and comprehensive that it requires Divine Intelligence (Baodangh) to fathom even an insignificant aspect. It stretches over a seemingly infinite expanse of time, called Zravane Akarne (Endless time) in the Avesta. Endless does not imply infinity, but rather such a length that its beginning is lost in the end. Through this countless expanse of time, the total creation moves from imperfection to perfection. In this process, every aspect of creation has a role to play, from that insignificant leaf that flutters in the wind, to those whom we hold most precious and valuable.

So in these times of crisis and personal anguish, is there anything in our scriptures which we can fall on, to draw strength and sustenance from? How does our religion expect us to deal with such tragedies? The answer to these queries is found in a most simple but deeply mystical and devotional paragraph from the Gathas, which we shall explore in the next post.

Ervad Marzban J. Hathiram

[Editor's note: I apologize to readers for the long gap between the last post and the current one. Events transpired in this period which made it impossible for me to write in a coherent manner.]

Posted in Tackling Tragedy, Words of Wisdom | 7 Comments

The mystery of Gustad Merwanji Hathiram

Roj Amardad Mah Tir, 1380 Yz.

The three men knelt before Pope Pius XI, thanking God for their luck so far, and asking for blessings from the pontiff for their onward travails. It was 15th October, 1924. Dressed in khakis, Gustad Hathiram, Keki Pochkhanawala and Adi Hakim were once again at the outset of a dare – one in a series of adventures that had started off exactly one year ago, from the dusty streets of Gowalia Tank, Mumbai, from where 6 gallant Parsi youth had set off on an unbelievable expedition – to circumnavigate the globe – on bicycle.

After weaving an intricate web of lies to avoid their parents’ ire, holding secret conclaves and making fledgling attempts to gather money, these 3 along with their colleagues Jal Bapasola, Rustam Bhumgara and Nariman Kapadia had set off with a few clothes, a battered second hand compass, and copies of the map of the world. They choose their route to make sure that they passed through some of the most inhospitable terrains on Earth, for their objective was to show the world that Indians could do something never done before, even though the British ruled them.

From Mumbai the cyclists headed to Delhi passing through various parts of central India. After meeting the Viceroy, Lord Reading, they cycled through the Punjab and on to Baluchistan, crossing the Duki pass at 11,000 feet in three feet of snow and temperatures of minus 13° C, finally reaching the last outpost of colonial India – Varechhah on 20th January 1924. From there, the group sent its first post card to their parents, giving them details of their real journey and assuring them that they would soon be home. Crossing into their ancient motherland – Iran, the 6 Parsis eventually reached Tehran in May 1924, meeting Reza Shah Pahlavi. At Tehran, Nariman chose to return back to India, while the remaining 5 proceeded on to Baghdad. Despite dire warnings to turn back, the cyclists set a new record – crossing the Mesopotamian desert from Baghdad to Aleppo – a distance of 956 kilometers. Struggling through shifting sand, temperatures over 55° C and delirious with sand-fly fever, the cyclists were saved from certain death by Bedouins and reached Aleppo after 23 days.

At Damascus, the 5 split into 2 groups. While Gustad, Keki and Adi proceeded onto Europe, Jal and Rustam went on to Jerusalem. The trio reached Brindsi in Italy by steamer and then went on to Naples and Rome – receiving the Pope’s blessings for another audacious dare – crossing the Alps on cycle. The three reached Zimplo and proceeded to cross the Gothard pass. After getting caught in a relentless storm, suffering from severe frostbite and bleeding, all three passed out and were buried in the snow, and would have perished had the Franciscan monks and their St. Bernard dogs not rescued them! They reached Paris and proceeded thence to London, where they received media coverage and adulation. After 23 days of travel through England, they caught the steamer to reach New York.

Here Gustad announced to the others that he had no plans of going further or coming back to India – he wanted to live in New York. The other two cyclists who had separated at Damascus soon reached New York. All four went to convince Gustad to change his mind. But Gustad refused to meet them and instead slipped a letter under their hotel door. ‘Think that I drowned in the Atlantic, my friends, for the Gustad you knew is now no more…’ Heartbroken, Gustad’s soul mate on the trip Keki returned back to India by steamer. The remaining three decided to go on and cycled throughout the States. On 15th October 1925 – their third anniversary, they set a new record, cycling non-stop for 16 hours covering 307 kilometers.

From America, they crossed over to Japan and from there became the first cyclists to enter Korea. Crossing Korea they entered Manchuria and cycled through some of the most difficult terrains, braving the intense hatred for foreigners, often starving for days. They became the first cyclists to cross the great Gobi desert and reached Canton in October 1926. From there they proceeded to Hong Kong, and cycled through Vietnam, Cambodia, Thailand, Burma and the North Eastern states to Calcutta and from there to Colombo, the whole of South India and eventually reached Mumbai to the accompaniment of over 1000 cyclists and widespread media coverage on 18th March 1928 after covering nearly 71,000 kilometers in 4 years, 5 months and 3 days.

Amid the festivities, one family nursed its grief. Dinshawji Hathiram, the elder brother and guardian of Gustad, and my grandfather, was inconsolable. In 1930, he received a letter from Gustad warning him against trying to contact his brother and asking for some Sudreh and Kusti and a prayer book. My grandfather kept his word – and that was the last we heard of Gustad Hathiram. The last link in the chain was lost when Dinshawji passed away in 1987. The question remained unanswered – what happened to Gustad?

Many years later I was giving a talk on the importance of the Muktad and the need for Parsis to remember their dear departed. The next day as I sat down for prayers I doubled over in pain as though someone had punched me in the stomach. Still gasping for breath, there was only one thought in the mind – ‘you talk of remembering the dead, what about your Gustad kaka?’ After the prayers were over, I thought long and hard about what had happened. I realised that Gustad kaka would have been over 100 years old and was most probably dead. Yet no prayers had ever been done for him. Shortly thereafter, on Roj Fravardin Mah Fravardin – All Souls Day and the day to remember those whose date of death was not known, I performed the first Baj for Gustad kaka and begged forgiveness for my carelessness. A few months later, while praying, I was once again punched in the stomach by an unseen force and the same thought: ‘what about Gustad kaka?’ On the next Fravardin Roj, I consecrated a new Karasya for him and put the same on our family table during the Muktad. A few days after the Muktad, I got my final blow in the stomach and the thought: ‘You are not doing enough! Search for Gustad kaka!’.

A few days later, in September 2002, as I was browsing the Internet at office, a headline ad banner flashed: ‘Search for your lost ancestors!’. As I clicked the ad, I was redirected to the genealogy site Ancestry.com. Half-heartedly I typed in ‘Gustad Hathiram.’ A few seconds later I was staring at the screen that read: ‘One death record found.’ The record revealed that Gustad Hathiram had passed away in the sunny town of St. Petersburg, Florida on 27th November 1973. In this manner, through the power of our prayers and my constant thoughts about his destiny, I was able to locate my grand kaka, nearly 30 years after his death! My joy at finding my grand-uncle was tempered with sadness at the circumstances. The details on his death certificate told us he worked as an auto mechanic, and he had never married. Why did he not contact us all these years? Did he have any friends? What were his final thoughts? These and a myriad other questions will haunt me for the rest of my life.

Thereafter, on 24th November 2002, I performed the first four days ceremonies for Gustad Hathiram and continued with the other prayers later on. As the prayers progressed, more and more information became miraculously available on him. Old photographs tumbled out of cupboards, a newspaper article written by me resulted in the relatives of the other Parsi cyclists contacting me. A few months later, we all met – descendants of the original 6 who had taken off from Bombay in 1923. Through these interactions and the hard work of the Hakim family, the original book written by Adi Hakim on their fantastic journey was re-published by Roli Books.

Readers of Frashogard! We have often recounted the miracles which happened many hundreds of years ago on this blog. But this is a miracle which took place just a few years ago – to an average and hardly pious person, in an age filled with pollution, materialism and no respect for God. If our Avesta prayers have this much effect that they can verily locate a person long dead in an alien land and pull his relatives back on track, can we imagine the power of Avesta when a really pious and holy man were to utter it? There is no lack of miracles, there is only lack of faith – in ourselves and in Ahura Mazda.

On 24th November 2003 – exactly one year after performing Gustad kaka’s four days ceremonies, I was appointed as the Panthaky of the Ustad Saheb Behramshah Nowroji Shroff Daremeher at Behram Baug Jogeshwari. Today, as I finish seven years in that post I offer my deep and humble thanks to the Creator and the Holy Fire for allowing me to attain what I always wanted and for giving me a chance to serve Him in this day and age. My thoughts are also with the Ruvan of Gustad Merwanji Hathiram – may it progress from whatever station in nature it may be and may it continue to watch over me and guide me to my ultimate destiny.

Ervad Marzban J. Hathiram

Posted in Zarathushtrian Miracles | 11 Comments

The illustrious lives of Dastur Mulla Kaus and Mulla Feroze – part 4

Roj Mohor Mah Khordad, 1380 Yz.

Meanwhile, when Dastur Mulla Kaus proceeded to Hyderabad, Seth Dadibhai Nosherwanji appointed his son Mulla Feroze as the second Dastur of the Kadmis in Mumbai in 1794. Mulla Feroze was destined to have a career even more illustrious than his late father. He immersed himself in deep study of Avesta, Pahlavi, Persian and wrote many books and treatises, gathering in the process a library full of priceless manuscripts. His habits and living style were in perfect sync with the mandates of our religion. Dastur Mulla Feroze would hardly ever step out of the Atash Behram premises. He slept one hour in the afternoon and two hours at night. The remaining part was spent in prayers, ritual and writing books and treatises on religion. A man of very frugal habits, Dastur Mulla Feroze ate only 120 grams of food per day and maintained strict laws of purity. He impressed not only Parsis but all members of the public with his humility and piety.

As his name grew more popular, his piety and learning made him a leader of the community in Mumbai. Dastur Mulla Feroze would personally supervise and conduct many Pav Mahel ceremonies at the Dadyseth Atash Behram. During the Yazashne ceremonies, Dastur Mulla Firoze would personally weave a thread made out of cotton yarn he would himself draw. While praying the 72 Has of the Yasna, Mulla Feroze would give numerous twists and knots in the thread. Many Parsis would come to Mulla Feroze and take this thread to use as a cure for sick children and other health problems and difficulties. In this manner, Dastur Mulla Feroze stopped the habit of Parsis who would visit houses of worship of other religions and indulge in idol worship and religious adultery. This tradition continued for many years, making Dadyseth Atash Behram a centre of hope for those who were troubled by fate and disease.

As a distinguished scholar and man of learning, Dastur Mulla Feroze caught the attention of the Governor of Mumbai at that time – Sir Jonathan Duncan, who was himself very interested in Persian and in unravelling the mysteries of the east. As a mark of his respect towards Dastur Mulla Feroze, Sir Jonathan Duncan would drive up to the Dadyseth Atash Behram in his government carriage and Dastur Mulla Feroze would teach him Persian sitting in a room in the building used for wedding receptions today. Sir Jonathan Duncan paid Dastur Mulla Feroze the princely sum of Rs. 100 per month as tuition fees. This relationship grew into a strong friendship and Dastur Mulla Feroze and Sir Duncan spent many hours in the study of Persian.

Out of this friendship and relationship arose the translation of one of the most esoteric and difficult to understand books in Persian, which gave rise to much controversy, called the Desatir. Writing the foreword of this book, Dastur Mulla Feroze remarks: “this professes to be a collection of the writings of the different Persian Prophets, who flourished from the time of Mahabad to the time of the fifth Sasan, being fifteen in number; of whom Zerdusht, or Zoroaster was the thirteenth and the fifth Sasan the last… The writings of these fifteen prophets are in a tongue of which no other vestige appears to remain, and which would have been unintelligible without the assistance of the ancient Persian translation”. The contents of the Desatir have been criticized by several modern scholars (many call it an outright forgery!), who do not grant it any standing as a work coming down from ancient times for linguistic reasons. However, it contains teachings which are not merely universal, but which run far back into the night of human history; for example, the first chapter suggests the seven sacred planets; each star and planet having an intelligence, a soul, and a body; the kingdoms of nature on the cosmic ladder of life; reincarnation; rounds; and the grand periods or times of deluge.

Dastur Mulla Feroze wrote over 29 books, although only a few were printed. The majority remained as manuscripts in his priceless library. Of many things we can remember and thank him for, the foremost is his famous Monajat in honour of Prophet Zarathushtra which is found at the end of most Khordeh Avesta books. Written in superb Persian verse and dripping with emotion and devotion, the Monajat quickly became very popular and was often sung at religious functions. In addition, his account of the many travels he made to far off places in Iran are relevant even today and provide a fascinating and detailed account of the life and times of the Zoroastrians of those days.

Another great achievement of Dastur Mulla Feroze was the conceptualization and execution of the mammoth project called “George Nameh”. Based on the style of Firdausi’s epic Shah Nameh, Dastur Mulla Feroze began to write in Persian verse, an account of the conquest of India by the British and the establishment of the Raj in 40,000 verses. Even though he could not finish this project in his life time, Dastur Mulla Feroze’s name is indelibly linked to the George Nameh. For his services to the British government, Dastur Mulla Feroze was paid the sum of Rs. 400 per month till the day he died.

On 11th January 1797, Seth Dadibhai Nosherwanji made an appeal to the Governor of Mumbai, Sir Jonathan Duncan, asking for permission to construct a Dakhma for his family’s personal use on his land near Malabar Hill. Although two Dakhmas had been already constructed and consecrated in Mumbai, the ceremonies had been performed by Shahenshahi priests. Seth Dadyseth was eager that a Dakhma be consecrated as per the Kadmi tradition too. Due to his position and influence, Seth Dadyseth received a favourable response from the Governor vide a letter dated 28th February, 1797. Work started immediately and soon thereafter, the intricate Tana ceremony which is performed prior to the construction of the Dakhma was undertaken. The honour of performing this very difficult and back breaking ceremony was taken by Ervad Kekobad Mulla Kaus Jalal, the younger son of Dastur Mulla Kaus and brother of Dastur Mulla Feroze, who supervised the entire proceedings. Unfortunately, Ervad Kekobad passed on 31st August, 1797, shortly after performing the Tana ceremony at the young age of just 32. Finally on 22nd April, 1798, the Dakhma was consecrated and after a Jashan, was put open for the use of the members of the Dadyseth family.

 

In this manner, Seth Dadibhai Nosherwanji not only introduced the first Atash Behram in Mumbai, he also constructed the first Kadmi Dakhma. It is a measure of the goodness and prominence of this great philanthropist that His Creator helped him perform all his acts in a meritorious and religious way. Having lived a life totally dedicated to serving the poor and needy of not only his own community but all humans, Seth Dadibhai Nosherwanji – the Great Dadyseth breathed his last on 7th April, 1799, just one year after the Dakhma had been made ready. What an illustrious life! What philanthropy! What religious zeal! Where are these Sethias in our community today?

Dastur Mulla Feroze continued his brilliant career and his life of piety and prayer. Soon he was appointed as a Trustee of the Parsi Punchayet in Mumbai. He played a leading part in all religious matters and his voice of reason and logic was much in demand whenever controversies arose and issues had to be settled. A few years before his death, Dastur Mulla Feroze collected all the books and manuscripts in his possession and organised them thoroughly. He left instructions that after his death, these books should become part of a library open to the public for study and research. Having lived a complete and truly Zoroastrian life, Dastur Mulla Feroze passed away on 8th October, 1830 at the age of 72. His body was laid in the same Dakhma which he had overseen the construction of – the Dakhma of Seth Dadibhai Nosherwanji. Thus, in the end, the sponsor and the priest both met even in death.

On the day of his Uthamna, his brother’s son, Rustamji Kekobad Mulla Kaus Rustam Jalal was appointed as the third Kadmi Dastur. In line with the wishes of Dastur Mulla Feroze, his library was set up and opened to the public. The day after his death, Sir James Sutherland, Member of the Governor’s Council in Mumbai sent a heartfelt letter to his friend Dadabhai Wadia. I am reproducing that letter here to show in what high estimation Dastur Mulla Feroze was held even by the English. Sir Sutherland wrote:
“I am much grieved to hear of the death of the learned and venerable Mulla Feroze bin Kaus, and many will be sorry on the occasion, for he was held most deservedly in high estimation by the literary community. To the Parsis, of whom he was so bright an ornament, his loss must be severe, for I fear he has left darkness behind, as he had not his equal as an oriental Scholar, and there is no one so well qualified to throw light on any difficulties of your ancient religion and literature as he was. For my own part, I never met a more gentlemanly person possessed of such amiable feelings as he had among any of the natives of India.”

In 1854, on the death of Dastur Rustamji Kekobad, the Kadmi Anjuman decided to set up a Madressa (school of learning) in honour of Dastur Mulla Feroze. This Madressa provided free education in Avesta, Pahlavi and Persian to any Parsi student. A few years later, the Madressa was merged with the Sir Jamsetjee Jeejeebhoy Madressa. It has been my honour and privilege to have been a student of this Madressa for 10 years, where I learnt the basics of Avesta and Pahlavi. The library of Dastur Mulla Feroze is today merged with the K. R. Cama Oriental Institute and two very large bookcases containing the valuable books and manuscripts of Dastur Mulla Feroze can still be seen there, along with a portrait of the Dastur in the main hall of the library. A copy of the portrait of Dastur Mulla Feroze hanging in the hall of the Dadyseth Atash Behram is given below. I am thankful to Khshnoom lover and noted photographer Mr. Minoo Bhagalia for taking this photograph and allowing me to reproduce it here.

Mulla Feroze 5x7

Dear readers of Frashogard, being a Priest is a way of life, not a business. It calls for strict discipline, endless hours, great devotion and dedication, coupled with a life of simplicity, piety and purity. The priests of today (this writer included) are not fit to be called priests. The benchmarks left behind by the illustrious lives of Dastur Mulla Kaus and Dastur Mulla Feroze serve as beacons of endless light – to be admired and aspired for, but we can never dream of emulating them. Our community refused to take care of its priests when they lived real lives of purity and piety, and today’s generation is paying for those mistakes in the form of rogue priests who shorten prayers and so-called priests who advertise in newspapers for inter-community ceremonies. It behoves us all to think of the dawn when we shall face our Creator and be asked that simple question: “did you live your life on Zoroastrian principles?” Dastur Mulla Kaus and Dastur Mulla Feroze were amongst those few who could hold their head high and reply in the affirmative. The rest of us are destined to hang our heads in shame.

May the Ruvans of Dastur Mulla Kaus Rustam Jalal and Dastur Mulla Feroze bin Kaus Rustam Jalal progress onwards in nature and reach the House of Songs, and may they shower their blessings and guidance on those of us who still remember them.

 

Ervad Marzban J. Hathiram

Posted in Dastur Mulla Kaus & Feroze, Zarathushtrian Miracles | 3 Comments

The illustrious lives of Dastur Mulla Kaus and Mulla Feroze – part 3

Roj Sherevar Mah Khordad, 1380 Yz.

Thanks to spiritually ignorant Trustees and the glare of modernity, the work of Dastur Mulla Kaus and Feroze was undone, when, in order to make the Kebla “more aesthetic and modern”, the sacred Padshah Saheb was shifted for the first time in 1916. As the Mobed Sahebs lifted the Afarganyu from the Khuan, the cotton thread holding the Taaveez under the Khuan broke and seven coins, made of copper and inscribed in a script which has yet to be understood or deciphered were found. Not content with this, the Trustees had the specially made Khuan of Mulla Feroze broken to be replaced by another “better” stone Khuan. The low door of the Padshah Saheb’s entrance was broken to make it into a full height door. Not stopping there, the Trustees opened the roof of the Kebla hall and replaced several of the Mangalore roof tiles with glass tiles “so that Behdins could read the prayer books”. Finally to add insult to injury, the sacred copper Afarganyu was taken out and replaced with a German silver Afarganyu, which exists till today. The most powerful copper Afarganyu, which had served as the seat of the Padshah Saheb for over 125 years was placed in the Kebla hall where it stands till today – a mute and sad reminder of the legacy of Dastur Mulla Kaus. Ignorant Parsis today drop currency notes and coins into this Afarganyu, thereby completing its desecration.

Whenever I visit the Dadyseth Atash Behram, my eyes become moist as I see this magnificent Afarganyu relegated to the side of the Kebla Hall. Dear readers, in our ignorance and our haste to look modern and neat, we are destroying bit by bit the very essentials of our religion. Is it any wonder that Parsis flock to shrines of other faiths? When we ourselves go about murdering the sanctity of our Padshah Sahebs, how can we expect them to respond to our pleas for help? There is this current madness and mania about “doing up” Agiaries and Atash Behrams. Are the rooms of our Atash Behrams and Agiaries the lobbies of 5-star hotels that they should be done up in marble cladding and inlay work? Trustees, priests, contractors and architects are all united in unholy matrimony to desecrate, destroy and murder the sanctity of our spiritual institutions. Those of us who oppose these steps are called the lunatic fringe! But after reading all this, dear readers, you decide – who is the lunatic and who is the sane person?

For hundreds of years, our Agiary and Atash Behram buildings were constructed of stone and rough mortar. The insides were coated with fresh lime (chuna) which not only had cooling properties but also functioned as a pest repellent. Every year, the helpers of the Agiary would take a specially made broom, dip it in the lime slurry and apply a fresh coat to the walls which would become dark by the deposit of carbon from the smoke of the fires. Inside the Kebla, I remember old priests telling me that they would take a bucket of lime slurry up to the top of the wall and then gently pour it down so that the walls would become new again. What was wrong with this approach? By using synthetic chemicals in everything – paint, cement, tiles, marble – we desecrate the pure environment of the Padshah. Ustad Saheb explained that the walls of the Kebla of the Padshah should always be roughly hewn, so that the Staota produced by the prayers of the Mobed Saheb and the vibrations given off by the Padshah Saheb could catch on and remain within the Kebla. But in our attempt to look chic and modern, we now have marble slabs which have two great deficiencies – they are smooth and marble is porous – hence unsuited for use in a religious institution. Those who take up the position of Trustees of religious institutions take on a great spiritual responsibility and acts like these will weigh very heavily on their souls.

Combined with this unholy mess is the total absence of any ritual care to be taken for the Atash Padshah. Trustees of Fire Temples (and some priests too) think that the Padshah is a piece of furniture, to be shifted from this room to that, without any care for the spiritual sanctity of the Sacred Fire. This lack of concern is manifested when priests and trustees call the Sacred Fire ‘Atash’ (“aapre Atash ne khasade leshu”) (we shall shift the Fire), rather than address it as Padshah – King. Can someone we call and revere as a spiritual monarch be shifted here and there? Once a Padshah is consecrated and installed in its Kebla, He should NEVER be shifted, unless there is an absolute emergency (the roof starts leaking, entry of non-Parsis, building become unsafe etc.) The Padshah cannot be shifted for ordinary things like whitewashing or changing the interiors! Shifting the Padshah from His consecrated throne (Khuan) is akin to deposing an earthly king, or staging a coup against the government.

The collected aura of thousand of Atash Nyaesh prayers, gathered over the years in the Afarganyu of the Padshah and the walls of the Kebla is broken and utterly destroyed by such mindless acts. Priests who aid in this unholy venture are placing a great spiritual load on their souls.
We are lucky to have individuals like Mr. Bomi Mistry and his group of Parsi volunteers, who move from Agiary to Agiary, cleaning the interiors, painting, tiling, repairing roofs and beams – all done by Parsis. When we have such dedicated individuals, what is the need to get non-Parsi workers into the Agiaries and Atash Behrams? Why should we shift the Atash Padshah from place to place – very often merely to the room next to the one where non-Parsis are working?

Let us continue with our account of the life of Dastur Mulla Kaus. After the establishment of the Dadyseth Atash Behram in 1783, Dastur Mulla Kaus began to live a simple life of prayer and piety. Seth Dadibhai had constructed a two storey mansion right opposite to the Atash Behram (it still stands today, a massive structure of stone and wood) and that is where Dastur Mulla Kaus and his son Mulla Feroze began to reside. Over the years they provided spiritual guidance and direction to many priests and Behdins alike. As Dastur of the Atash Behram, Mulla Kaus laid down strict instructions for those who came to worship the Holy Fire. A number of small washrooms were constructed at the side of the Atash Behram, where Behdins would take a bath. Only after this were they allowed to enter the Atash Behram premises.

In 1786, Mulla Feroze published his first work titled “Dine Kherade Manjume” detailing his travels (along with his father) to Iran and his years spent there. In 1794, Dastur Mulla Kaus voluntarily gave up his post as Kadmi Dastur and left Mumbai and proceeded to Hyderabad. Over there, he was introduced to the Nizam by a wealthy Parsi landlord called Seth Nosherwanji Raja. Impressed by the spiritual stature of Dastur Mulla Kaus, the Nizam accorded him an important position in his court. Dastur Mulla Kaus spent the rest of his life in Hyderabad, and passed away on 26th February, 1802 at the age of 69. Unfortunately at that time there was no Dakhma in Hyderabad and therefore, after necessary rituals and prayers, the body of Dastur Mulla Kaus was buried there. Thus ended the life of one of the most unknown but illustrious spiritual leaders of our community.

We shall continue with the life of Dastur Mulla Feroze in the next post.

Ervad Marzban J. Hathiram

Posted in Dastur Mulla Kaus & Feroze, Zarathushtrian Miracles | 6 Comments